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1 darkroom work
Полиграфия: работа в тёмной фотолаборатории -
2 darkroom work
Англо-русский словарь по полиграфии и издательскому делу > darkroom work
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3 work
1) работа; обработка || обрабатывать2) обрабатываемая деталь3) (литературное) произведение, сочинение4) pl собрание сочинений5) изделие, продукция6) механизм7) конструкция- work off- work up- art work- bag work- job workАнгло-русский словарь по полиграфии и издательскому делу > work
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4 work
1. работа; обработка; обрабатывать2. обрабатываемая деталь3. произведение, сочинениеfeeble work — бледное произведение, слабая работа
4. собрание сочинений5. изделие, продукция6. механизмshop work — механизированный труд; работа с механизмами
7. конструкция8. редактировать; составлять9. разрабатывать10. художественное произведение11. художественное оформлениеbag work — печать на мешках, сумках, пакетах
12. вставка в переплётную крышку13. изготовление переплётных крышек14. изготовление футляров15. процессы, относящиеся к изготовлению текстовой формы и печати с неёchromolithographic printing work — репродукция, отпечатанная способом хромолитографии
16. многокрасочная работа; цветная репродукция17. четырёхкрасочная печатьcopyrighted work — произведение, защищённое авторским правом
fake-color work — получение цветоделённых негативов или позитивов с помощью набора растровых сеток
18. акцидентная малотиражная работа19. изготовление плоского стереотипа20. штриховой оригинал21. штриховое клише22. штриховая съёмкаfield work — полевая съёмка, работа в поле; разведка, съёмка
23. однокрасочная печать24. однокрасочная репродукция25. оригинал; подлинник26. первое произведение; первоначальная работаoriginal art work — оригинальное художественное произведение; картина
27. набивка; прокладка28. грунтовка29. цветная репродукция30. многокрасочная печать31. справочная работаwork towards — работать для; работа для
32. справочник33. набор с использованием линеек34. табличный набор35. украшение букв завитками и орнаментомan ornament in bugle work — орнамент, вышитый бисером
36. работа в режиме «свитка»stone works — работы, выполняемые на спускном столе
37. продукция, отпечатанная двойником38. раскладка полос для печати двойником39. фальцовка тетрадей двойниками -
5 фотолаборатория
ж. photographic darkroom -
6 работа в тёмной фотолаборатории
Polygraphy: darkroom workУниверсальный русско-английский словарь > работа в тёмной фотолаборатории
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7 свет
свет м.
lightгаси́ть свет — turn off the light(s)излуча́ть свет — emit [radiate] lightмодули́ровать свет — modulate [chop] the light (beam)(наблюда́ть) в отражё́нном све́те — (observe) by reflected [incident] light(наблюда́ть) в проходя́щем све́те — (observe) by transmitted lightотража́ть свет — reflect light«от све́та до све́та» жарг., тлв. — from camera to picture tubeсвет па́дает на пове́рхность — light is incident [falls] on the surface, light strikes the surfaceпоглоща́ть свет — absorb lightсвет поляризу́ется — light is polarizedпреломля́ть свет — refract lightрабо́тать в отражё́нном све́те ( в микроскопии) — work with [in] reflected [incident] lightрабо́тать в проходя́щем све́те ( в микроскопии) — work with [in] transmitted lightразлага́ть свет на цвета́ (ра́дуги) — disperse light into (rainbow) coloursрассе́ивать свет — scatter lightбе́лый свет — white lightбли́жний свет авто — lower beamве́рхний свет стр. — skylightви́димый свет — visible lightда́льний свет авто — upper lightдиффу́зный свет — diffused lightдневно́й свет — daylightесте́ственный свет — natural light, daylightсвет за́днего хо́да авто — backup lightза́дний свет авто — tail lightзалива́ющий свет — floodlightинфракра́сный свет — infrared lightиску́сственный свет — artificial lightкогере́нтный свет — coherent lightкогере́нтный, простра́нственный свет — spatially coherent lightко́нтровый свет кфт. — back lightкопирова́льный свет кфт. — printing lightкра́сный свет — danger [red] lightлаборато́рный свет — darkroom lightмонохромати́ческий свет — monochromatic lightсвет нака́чки ла́зера — laser pumping lightнапра́вленный свет — directional lightнеактини́чный свет — nonactinic [safe] lightневи́димый свет — dark lightнеослепля́ющий свет — antidazzle lightокружа́ющий свет тлв. — ambient lightослепля́ющий свет — dazzle [glare] lightотражё́нный свет — reflected [incident] lightпа́дающий свет — incident lightплоскополяризо́ванный свет — plane-polarized lightпосторо́нний свет — stray lightисключи́ть попада́ние посторо́ннего све́та — exclude [keep out, shut out] stray lightпроходя́щий свет — transmitted lightсо́лнечный свет — sunlightстоя́ночный свет авто — parking lightультрафиоле́товый свет — ultraviolet light* * * -
8 свет
м. lightСинонимический ряд:1. мир (сущ.) вселенная; вселенную; землю; земля; земной шар; мир; планета; планету; подлунная; подлунную; подлунный мир; поднебесная; поднебесную; подсолнечный2. рассвет (сущ.) рассветАнтонимический ряд:мрак; сумрак; темнота; темноту; тень; тьма; тьму -
9 lamp|a
f 1. (do oświetlania) lamp- lampa elektryczna/gazowa/naftowa an electric/a gas/a kerosene lamp- lampa stojąca/wisząca a floor/hanging lamp- pracować przy świetle lampy to work by lamplight- zapalić/zgasić lampę to turn a. switch on/off a lamp2. Elektron. valve GB, (vacuum) tube US- □ lampa bezcieniowa Med. shadowless lamp- lampa bezpieczeństwa Górn. Davy lamp, (miner’s) safety lamp- lampa błyskowa Fot. flash- lampa ciemniowa Fot. darkroom lamp- lampa fluorescencyjna fluorescent tube, fluorescent bulb- lampa gabarytowa Aut. marker light- lampa generacyjna Electron. oscillator tube- lampa jarzeniowa fluorescent tube, fluorescent bulb- lampa łukowa arc lamp- lampa mikrofalowa Electron. microwave tube- lampa prostownicza Electron. rectifier- lampa rtęciowa mercury lamp- lampa wyładowcza discharge lamp■ gadać do lampy to be talking to a brick wall pot.The New English-Polish, Polish-English Kościuszko foundation dictionary > lamp|a
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10 Eastman, George
SUBJECT AREA: Photography, film and optics[br]b. 12 July 1854 Waterville, New York, USAd. 14 March 1932 Rochester, New York, USA[br]American industrialist and pioneer of popular photography.[br]The young Eastman was a clerk-bookkeeper in the Rochester Savings Bank when in 1877 he took up photography. Taking lessons in the wet-plate process, he became an enthusiastic amateur photographer. However, the cumbersome equipment and noxious chemicals used in the process proved an obstacle, as he said, "It seemed to be that one ought to be able to carry less than a pack-horse load." Then he came across an account of the new gelatine dry-plate process in the British Journal of Photography of March 1878. He experimented in coating glass plates with the new emulsions, and was soon so successful that he decided to go into commercial manufacture. He devised a machine to simplify the coating of the plates, and travelled to England in July 1879 to patent it. In April 1880 he prepared to begin manufacture in a rented building in Rochester, and contacted the leading American photographic supply house, E. \& H.T.Anthony, offering them an option as agents. A local whip manufacturer, Henry A.Strong, invested $1,000 in the enterprise and the Eastman Dry Plate Company was formed on 1 January 1881. Still working at the Savings Bank, he ran the business in his spare time, and demand grew for the quality product he was producing. The fledgling company survived a near disaster in 1882 when the quality of the emulsions dropped alarmingly. Eastman later discovered this was due to impurities in the gelatine used, and this led him to test all raw materials rigorously for quality. In 1884 the company became a corporation, the Eastman Dry Plate \& Film Company, and a new product was announced. Mindful of his desire to simplify photography, Eastman, with a camera maker, William H.Walker, designed a roll-holder in which the heavy glass plates were replaced by a roll of emulsion-coated paper. The holders were made in sizes suitable for most plate cameras. Eastman designed and patented a coating machine for the large-scale production of the paper film, bringing costs down dramatically, the roll-holders were acclaimed by photographers worldwide, and prizes and medals were awarded, but Eastman was still not satisfied. The next step was to incorporate the roll-holder in a smaller, hand-held camera. His first successful design was launched in June 1888: the Kodak camera. A small box camera, it held enough paper film for 100 circular exposures, and was bought ready-loaded. After the film had been exposed, the camera was returned to Eastman's factory, where the film was removed, processed and printed, and the camera reloaded. This developing and printing service was the most revolutionary part of his invention, since at that time photographers were expected to process their own photographs, which required access to a darkroom and appropriate chemicals. The Kodak camera put photography into the hands of the countless thousands who wanted photographs without complications. Eastman's marketing slogan neatly summed up the advantage: "You Press the Button, We Do the Rest." The Kodak camera was the last product in the design of which Eastman was personally involved. His company was growing rapidly, and he recruited the most talented scientists and technicians available. New products emerged regularly—notably the first commercially produced celluloid roll film for the Kodak cameras in July 1889; this material made possible the introduction of cinematography a few years later. Eastman's philosophy of simplifying photography and reducing its costs continued to influence products: for example, the introduction of the one dollar, or five shilling, Brownie camera in 1900, which put photography in the hands of almost everyone. Over the years the Eastman Kodak Company, as it now was, grew into a giant multinational corporation with manufacturing and marketing organizations throughout the world. Eastman continued to guide the company; he pursued an enlightened policy of employee welfare and profit sharing decades before this was common in industry. He made massive donations to many concerns, notably the Massachusetts Institute of Technology, and supported schemes for the education of black people, dental welfare, calendar reform, music and many other causes, he withdrew from the day-to-day control of the company in 1925, and at last had time for recreation. On 14 March 1932, suffering from a painful terminal cancer and after tidying up his affairs, he shot himself through the heart, leaving a note: "To my friends: My work is done. Why wait?" Although Eastman's technical innovations were made mostly at the beginning of his career, the organization which he founded and guided in its formative years was responsible for many of the major advances in photography over the years.[br]Further ReadingC.Ackerman, 1929, George Eastman, Cambridge, Mass.B.Coe, 1973, George Eastman and the Early Photographers, London.BC
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